Out on May 6, 2022
A1. Alberto Radius – California Bill (1979)
A2. Mario Lavezzi – In Alto Mare (1979)
A3. Beppe Cantarelli – Se Il Mio Canto Sei Tu (1980)
B1. I Ricci – Vienimi A Pigliare (1986)
B2. Eduardo De Crescenzo – Alle Sei di Sera (1981)
B3. Jim Porto – Smettila (Po-Parà) 
B4. Barnaba – Bianco e Nero (1980)
C1. Enzo Cervo – Solo Mò (1981)
C2. Peppino Di Capri – Mo…(1981)
C3. Franco Camassa – Non Andar Via (1981)
C4. Stefano Pulga – La Mia Nave (1982)
D1. Massimo Stella – C’è Una Donna Sola (1979)
D2. Gino D’Eliso – Ti Ricordi Vienna? (1977)
D3. Enzo Carella – Contatto (1981)
D4. Serafini – Se Ti Va Così (1982)
Oops, Four Flies did it again! Like other rare Italian gems, Berto Pisano’s La Novizia was long thought lost before the FF team rescued, restored and remastered it from the original tapes. And wow, it’s just one of the best things, if not the best thing, about the 1975 film it was written for – an erotic comedy with melodramatic overtones directed by Pisano’s long-time collaborator Giuliano Biagetti (they previously worked together on Interrabang and La Svergognata) and starring a young and mesmerizing Gloria Guida.The film’s low budget meant that Pisano had to make a virtue out of necessity. Rather than using a big orchestra and strings (as is well known, he was a brilliant conductor and string arranger), he relied on a smaller ensemble – almost a chamber ensemble, but with a jazz-like rhythm section – to create sensual late-night soundscapes that exude a downtempo ambience. In a nutshell: smooth, warm, velvety music. The epitome of the lounge sound.
At times, whispered, sexy vocals by (the then ubiquitous) Edda Dell’Orso float dreamily over brushed drums, bass, guitars and electric pianos. At others, we find Italian library heavyweights like Alessandro Alessandroni (whose unmistakable whistle can be heard in “Canto Notturno”) and even psychedelic rock influences, as in the acid distorted guitars, furious drums and crazy synths of “Free Dimension”. At yet other times, we’re taken into more easy-listening territory – “Fiore Rosso”, for instance, offers a wonderfully cinematic example of Mediterranean, rather than Brazilian, bossa nova (did they ever thought of using a spinet in Brazil??).
The secret to the charm of La Novizia is that it encapsulates the Italian erotic sound of the 70s in all of its nuances, from the morbid, to the prudish, to the naïve. Because yes, this is a record of nuance and musicianship. And while the themes are in themselves simple, the fantastic quality of the writing, arrangement and production is a testament to Berto Pisano’s superb talent, style and professionalism.
Finally back to life after decades of obscurity, La Novizia is a thing of beauty – which, as a pretty bright fellow once said, is a joy forever. Don’t miss out on joy.
Comes on vinyl, CD and Digital, with original artwork by Eric Adrian Lee and exclusive liner notes by the Pisano family. All tracks are previously unreleased in any format.